Products> Amp Kits- Valves & Speakers Upgrades

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(Dating a) Hiwatt vs Marshall 1959HW vs Marshall 1962HW

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Do you have any more sample settings for your products? The most obvious difference is versatility. Some folks love the “fiddle factor” of the Classic while others hate it. The Classic will also give you more subtle nuances in the “clean-to-just-on-the-verge-of-breakup” range. Another major difference is that the Classic has no EQ of its own, since it was primarily intended to plug right into a mixing console, which would have its own EQ.

If you use it as a stompbox in front of an amp, you will be dependent on the amp’s tone controls to shape the final sound. The GT2 has active EQ on-board, so you can radically switch between your amp’s own tone when the GT2 is in bypass , or the emulated tone when the pedal is engaged. So, while they will both work for direct recording or as an overdrive pedal into a conventional amplifier, our best recommendation is, the Classic if you’re recording, the GT2 if you’re stomping.

In what order should I put effects when using a SansAmp? We recommend tone modifiers compressor, overdrive, wah, etc. But there really are no rules, so try every order of effects you can, and the one that sounds best is “the right way.

My second amp – a Silvertone Sears modell 26122

The differences are quite significant. They give each of these amps a completely different sound, unique dynamics, and a separate place in history. Their commonalities with the 5F6-A, however, are also quite striking.

This amp was one of a series of amps built in the year of Jim Marshall’s 25th business jubilee in It was a limited edition collection of tube amps and cabinets to commemorate Marshall’s 50 years in music and 25 years in the amplifier business.

Vintage Detecting Originality When buying a vintage amp, you have to determine whether you are buying for tone or collectability or both. For tone you may not care about total originality; for collecting originality matters. Most of the time, changed parts will be noted by the seller so the correct price can be ascertained. The more things have changed, the lower the price should be. But once in a while it happens. You find an amp you think you want.

Vintage & New Guitars, Amps, Instruments for Sale

A test report is available click here to view Many muscians have found that by upgrading the stock speakers and valves that they have improved the sound of their amplifier. This is very relevant to the new Vox range of custom classic amplifiers where they are fitted with a Wharfdale or other such low cost speaker. By upgrading the speaker to a Celestion that would have been originally fitted to the Vox amplifiers they have improved the sonic and tonal definition of these fine amplifiers.

Many people have found that the Cryo treated valves have helped them find their sonic signature.

Join us as we talk gear, recording and tone with Mr. Scary, George Lynch. Join us as we talk gear, recording and tone with Mr. Scary, George Lynch. Speaker Cabinets: Randall Lynch Box 4×12 loaded with four Eminence Lynch Super Chris Kies has degrees in Journalism and History from the University of Iowa and has been with PG dating back.

Produced prior to the Korg buy-out, these anniversary models are great amps in their own right. They are not electronically accurate reproduction of the 60’s models, but they sure sound good. This one also belongs to Geoff from the Live Music Shop who, along with Stewart, the second owner, plays in a great Shadows cover band.

I can credit them for teaching me how to set an amp for a great clean sound. This Vox was screaming from time to time and for no apparent reason. Pretty disturbing when you are in the middle of Apache. I bought this one in a faulty state and kept it after I repaired it. Apart from a small torn vinyl corner, it is in great condition.

One more step

Ampeg VT 22 Song: All Down the Line Artist: Check out anything off Exile on Main Street for reference. The sheer melodic content vs. Steve Vai houses genius, melody and lighthearted feeling in a way that no other guitar player can.

Please note also that the speaker cabinet serial numbers used a different progression. Please browse the Registry page for more specific data relating serial numbers to dates. I have not yet managed to collect enough information on the later models carrying the Hiwatt brand and manufactured by Turntone or Sterling, e.g. the Model 50L.

I was lucky enough to be present at all three nights and the experience has been overwhelming. To say the least. He often looks tired in interviews and not always up to standards on guest appearances. Will he be able to do a whole tour? The first two nights I was sitting in the arena, close to the stage. It can sound pretty harsh at times.

The stage The stage and the overall production is very classy and minimalistic. Much of the lighting is very similar to what they used on the last tour. New to the design of course, is the inclusion of good old Mr Screen. Although still in great quality, they could have brushed them up a tad. Mark Brickman has done an amazing job with designing beautiful lighting for each song. The lights were amazing and so intense that I felt exhausted afterwards!

You almost get the feeling of seeing mid 70s Floyd in a small club. Very intimate and low key, while mind blowing at the same time.


Features one channel and two inputs; volume, bright, treble, treble expander, bass, bass expander, bright switch, deep switch, stand-by switch, pilot light for stand-by and operate. This amp was built to play larger halls and outdoor concerts. The lack of reverb was not a big issue as most live performances had acoustics full of reverberation halls, arenas.

New in the Third Edition. The third edition extends the heritage of the Fender Bassman 5F6-A by examining the modifications Marshall incorporated into its .

In this article, Ben Fargen picks a Top 10 list of legendary songs that were greatly shaped by the guitar amp used to record them. I was asked to write a post for MyRareGuitars. Fender Showman Blonde Brownface Song: One of the most important pieces of his signature sound was a custom Fender reverb unit built by Leo Fender and given to Dick Dale as a prototype driving a cranked up dual showman into 2 X inch JBL D1 30 speakers. This amp coupled with the Les Paul guitar created a new kind of sound no one had ever heard before in blues.

Fender Deluxe Reverb Song: Roy was known for cranking his Fender Deluxe Reverb full blast and facing it toward the back of the stage to cut the stage volume. If there was ever a player that could wring blood, sweat and tears from a guitar, it was the late, great Roy Buchanan. Fender Bassman Blonde Brownface Song: Rock This Town Artist: Brian Setzer Brian setzer is the king of cool when it come to rockabilly guitar style.

That setup creates a great rowdy slap back echo which has become part of his signature tone.

Hiwatt SE4122 cab speaker labels

His guitar amplifiers are less well-known, with the possible exception of the legendary V-front Dominator of course. He chose to position them at the budget end of the market, perhaps wisely recognising that competition was fierce at the top with Vox, Selmer and later Marshall vying for position. Watkins later Wem amplifiers were well-made, sounded great and still do and easily undercut the prices of his competitors.

Now for a potted history – very abridged as it’s covered elsewhere: Serving in the Merchant Navy during WWII, Charlie learnt to play the accordion and upon his discharge became a semi-pro player, often accompanied by a guitarist.

Dating sound city amps. Feb Dave Reeves, who went on to found Hiwatt. however, the best you can legitimately determine is a range of years during which an amp or cabinet was made based on the eras in which these products appeared.

Rock and Pop Memorabilia sale, on 24 June The amplifier is currently owned by Brad Rodgers of whocollection. June , Monterey Pop, showing two Super Beatles, with tops reversed on the chrome roller rack. Pedal is a Marshal Supa Fuzz. The Super Beatle was the made-for-U. Thomas Organ owned the rights to distribute Vox in the U. The reason for the difference in gear in the North American shows was that the group could not afford the cost of importing their full gear and, instead, rented or borrowed gear once arriving in the U.

On the first U. The first documented stage use of Sunn gear is 23 Aug. Hermans Hermits were sponsored by Fender, and they had all large Fender-dual showman amplifiers. This was an amplifier I was well familiar with, because when I was with the Raiders, we were sponsored by Vox, as well. They also played so loud that one night I was I was watching standing off on stage left next to Peter Townsend [sic], and I looked down behind him between him and the amps and I saw a brass screw coming out of the deck.

Elevating Classic 6V6 Tone

Neville used the guitar with the Fruit Eating Bears. One was taken for the compilation CD. The other was taken in at Jackson studios Rickmansworth whilst recording tracks for the said album. I used it all the time on gigs as a back up guitar, when strings went on the telecaster, the most notable occasion being the Chelmsford Rock punk festival when John Peel took photos of me playing it with blood dripping from my fingers.

Music Gear Links: Enter Title REPAIR DATING FENDER AMPS BY SERIAL NUMBER “PART #1” “PART #2” THE FENDER AMP FIELD GUIDE This is a fantastic technical page!! THE HIWATT STORY Great reading and informative; THE UNOFFICAL AMPEG PAGE This is the best Ampeg site we’ve seen; SPEAKER LINKS.

It has EQ settings for each channel, as well as a master volume. Because of this, zeroing in on the sound you are trying to achieve isn’t too hard and there is a great deal of variety available. It is easy to get a good sound out of this and has a great sound quality overall. I don’t have a manual for this, but it is easy enough to use that you shouldn’t need the manual too much. I only use this amplifier with a clean tone, and I always get great sounds with this.

Its ease of use makes it a quick process to get a good sound from this amp. The sound is full and great for both recording and live use. The price is reasonable if you can find one used, and is great option for all bass players looking for a high end amplifier. All in all, the Fender Bassman amps from the s are some of the best bass amplifiers around.

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